Week 8: Color Grade Tutorial #1

1st COLOR GRADE IN LIGHTROOM

Here are the steps I took to Color grade the running scene in my film opening:
  • Exposure: -.83
  • Contrast: +27
  • Highlights: +2
  • Shadows: -38
  • Whites:-24
  • Blacks: -24
  • Exposure Curve: Linear Line
  • Temperature: +3
  • Tint: -14
  • Vibrancy: +14
  • Saturation: +1
  • Reds: -30H, -6S, -12L
  • Oranges: -32H, +43S
  • Yellow: -36H, +27S, -15L
  • Greens: +37H, +28S, +19L
  • Blues: +19H, +28S, -44L
  • Shadows: Blue Shade
  • Midtones: Red Shade
  • Highlights: Orange-Red Shade



Comments

Post a Comment

Popular posts from this blog

Week 5: Props Used for Mid-End Movie

Image
MID-END MOVIE PROPS In order to properly execute the scene concerning our main character Christian getting home, getting ready, going on a run, and getting kidnapped, we had to plan out each material that we needed. In order to do this, we split up each scene into sections: Christian Getting Home: Backpack guitar on wall (shows common teenage hobby) Artwork on Wall (Opens background on main subject) Neat Closet (Shows level of neatness concerning the main character) Running shirt and Shorts (Matches energy and makes the film flow naturally to the next scene) Christian Running: Running Shoe Running Clothes Water and Real Sweat on Shirt (Shows authenticity of the scene) Christian stopping and Getting Kidnapped: Rain/Big Jacket on Massimo (To show hidden personality of the killer) Sunglasses (Opens up confusion for Christian) More Water sprayed on Christian (To highlight the energy he used while running) In a separate post, more detail will be given on how shots were timed and materials u...
Read more

Week 1: Genre Research Post

Image
MY COMMENTS ON THE GLADIATOR II OPENING In the opening of Gladiator II, the director Ridley Scott uses sophisticated camera work, sharp and quick editing cuts, sound design, and very detailed misce-en-scene to start a conflict right out of the gate. The film starts with an aerial shot over a body of water, most likely the Mediterranean sea, slowly descending to reveal the Roman navy approaching the shores of the African country. The high angle shot emphasizes the size of the navy compared to the small sized city they are attacking. As the scene moves on, close-up's of the General are used to capture his demanding, powerful position. The use of handheld camera shots during battle fights add a sense of chaos and defeat towards the small African city. The camera focuses and tracks some of the Roman weapons such as the canon to show the evolved Roman army fighting a small city.  Rapid cross-cutting between the Romans and the African fighters adds tension and makes their clashes more in...
Read more