Week 2: Assigning Preproduction Roles


Preproduction

After discussing roles with Sebastian, we decided that I would handle the shot list, choose filming equipment, determine the best filming days, and eventually edit the footage. Sebastian took charge on planning out the script, the costume and set design, and finalizing my shot list. We collaborated on selecting film locations and scheduling shoot days.

With my experience in camera equipment and art, I felt suited for the cinematographer role. For the camera, I had to choose between my iPhone 15 and Canon EOS M50. To compare, I recorded the same subject with both. The iPhone’s higher resolution made it the better choice. I also had a good understanding of lighting. While Sebastian had a keen eye for light placement, I knew which equipment to use. I had two small LED light boxes with adjustable white and warm light, and my Media Studies teacher at school had two large color-adjustable film lights—ideal for color grading in post-production.

Once the concept was ready, Sebastian began drafting a rough script while I planned shot lists. From the start, I wanted to avoid generic framing. Many new, modern films use uninspired shots to show the plot, but I aimed for variety—over-the-shoulder, close-ups, long shots, and mid-shots—to create a more engaging visual style.

Since Sebastian and I both have jobs and extracurriculars, scheduling filming days was challenging. We decided to plan as we progressed, selecting days only when we were fully prepared to film.


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